A Face In The Crowd – Budd Schulberg, 1957 ★★★

Big Dreams on the Little Screen

When director Elia Kazan and writer Budd Schulberg collaborated on their next film project after the legendary On The Waterfront, it was an anticipated event. Would the new film be as good?

The answer, surprisingly, was yes, only not right away. It took audiences and critics many years to warm to A Face In The Crowd, perhaps because in 1957 its satirical take on television and marketing was too ahead of its time. Today, it seems much more relevant, if a bit quaint.

If nothing else, we are better positioned to appreciate the spectacle of Andy Griffith, not yet known as TV’s kindliest sheriff, driving his image into a ditch before he even got it. His Lonesome Rhodes is a foul-minded, manipulative, corrupt spinner of hokey cornpone wisdom who hoodwinks millions into falling in love with him:

Animal Farm – George Orwell, 1945 ★½

Grimm and Grimmer

Have you ever re-read one of those books they used to assign you back in school? Did you ever notice how almost-uniformly unpleasant they are to read today?

The Painted Bird is the most wretched of them, but there were a host of suicide stimuli on offer back in my day: The Lord Of The Flies, A Separate Peace, Crime And Punishment, The Bell Jar, The Heart Is A Lonely Hunter and of course this story about what happens when an oppressed group of animals take over a farm.

Did they want to put us off reading forever? Did they want social media to take over the planet before it had even been invented?

Roscoe – William Kennedy, 2002 ★★★

Politics and the Art of the Lie

The only two sure things in life are death and taxes; that’s no less true for those who collect the taxes. 

William Kennedy takes a sympathetic look at a wheeler-dealer who ran one of America’s most powerful and longest-lived political machines while he takes on the prospect of his own mortality.