Let no one claim the class system was confined to other parts of the world: The Man Who Came To Dinner shows it in full effect here in America. A media celebrity takes over the house of an Ohio family, throwing them into chaos. But who are we encouraged to care about? The elitist celeb who sneers at the family’s backward ways.
A successful screwball comedy by the team of George S. Kaufman and Moss Hart, The Man Who Came To Dinner was a long-running hit on Broadway and a popular movie starring Monty Woolley and Bette Davis. Unlike their even bigger earlier comedy, You Can’t Take It With You, this offers an inventive plot, some wicked one-liners, and a lead character right out of Falstaff.
But as the play rolls along, it plays up the patrician sensibilities of its authors in a smug, hard-to-take way. Kaufman and Hart seem to think if they enjoy rubbing elbows with the like of Noel Coward and Harpo Marx, so should you. Meanwhile, if you are like me, you may find a little of Sheridan Whiteside winds up more than enough.





