The Burning Mountain – Alfred Coppel, 1982 ★★

The Longest Day that Never Was

For those who balk at the morality of using A-bombs on Japan at the end of World War II, The Burning Mountain presents a hellish alternative: mass waves of suicide boats and planes, gas warfare, hordes of crying children wearing explosives, and much more.

Between 150,000 to 250,000 people died at Hiroshima and Nagasaki; Alfred Coppel imagined a death toll at least as high in the hypothetical event the atom bomb failed to work. The invasion of the Japanese Home Islands becomes a series of endless battles fought with bamboo sticks and flamethrowers; one side full of people eager to die, the other side worn out both by their own casualties and those they must inflict.

As a worst-case scenario, The Burning Mountain convinces. As a story, it mostly misses the mark with a handful of distinctive yet dull characters and an uninvolving, shapeless narrative.

All’s Well That Ends Well – William Shakespeare, 1598-1608? ★★★

Stand by Your Man

The verdict on this play over the years can be summed up in a single word: Meh.

Its existence went unnoticed from available evidence until 1623’s publication of the First Folio. Its origins are murky, at least as far as Shakespeare’s composition is concerned. Its performance history is rather slight for a comedy by the Bard; not even a movie adaptation.

Beyond that, it is a comedy that is not that funny and a romance which leaves a bad taste in many mouths. There are many fine things about it, particularly an engaging heroine and a villain who doubles as comic relief. It has an experimental quality about it one can either go with or not, trusting in the title not to be led astray.

Whether it delivers on that title isn’t clearly answered. Since that is the one thing people know about the play going in, let’s look into it.

The Dead Zone – Stephen King, 1979 ★★★★½

Wake Me When It's 1975

This was the novel that started it all for Stephen King. It wasn’t his first book, nor his first great book, but it was the first King book to top The New York Times bestseller list, a feat he has repeated over 30 times since. It’s the book where his reign of terror really began.

People say King is a sloppy writer, an indifferent craftsman, that he goes for big scares and brand-name placement in place of things like tone and character. Yes, sometimes I am one of those people. But The Dead Zone forces a reappraisal. It has a powerful human intimacy, a sense of what makes people tick, that makes for a very credible horror tale.

John Smith has a problem other people would kill for: An ability to see the future. Precognitive insight has been part of his life as long as he can remember; after a five-year coma it metastasizes to a point where he can discern the fates of other people by touching their hands.