
There
is a certain type of mystery reader for whom the mystery itself is secondary.
The mystery services a formula, follows a pattern, and provides background
contrast to whatever aspect of the book it is the reader cares about. It is not
taken seriously.
I
don’t understand these kind of mystery readers, but they evidently exist in
fair-enough number to promote the legacies of writers who cater to this
approach. Which leads me to Josephine Tey.