Summer And Smoke – Tennessee Williams, 1948 ★★★½

Here's To The Losers

Love isn’t horseshoes; there’s no scoring for landing near the mark. No one knew this better or communicated it more incessantly than Tennessee Williams, whose plays were epics of romantic frustration. One of his accessible and endearing, and at the same time perhaps the most depressing, is this.

Set deep in his classic time and place, the American South in “the first few years” of the 20^th century, Summer And Smoke spotlights a pair of star-crossed next-door neighbors, she a uptight minister’s daughter, he a hedonistic heir to his father’s medical practice. She believes in God, he believes in medicine, but somehow these opposites not only attract but are impelled toward each other.

As Williams takes us from him teasing her in childhood to their adult selves having deep conversations about choosing between self-gratification and social obligation, you begin to wonder: should I root for them to be a couple, or to break free of each other’s spell?

The Making Of The President 1964 – Theodore H. White, 1965 ★★★

Over Before It Began

Theodore H. White lost more than a president and friend in 1963. He also lost a chance to follow up his Pulitzer Prize-winning account of the 1960 U. S. Presidential election with something nearly as riveting.

It wasn’t a race in 1964 but a coronation. The question wasn’t if Lyndon Johnson would be re-elected president, but by how wide a margin. Johnson’s campaign themes of peace and prosperity resonated with voters. After the shocking assassination of John F. Kennedy, Americans were not ready to have a third president in just over a year.

Meanwhile, Republican challenger Barry Goldwater was barely trying to win over the undecideds. He delivered instead a bold libertarian message in a tone White likens to an Old Testament prophet, adopting a slogan that seemed unconvinced by itself: “In your heart you know he’s right.”