James Bond got much cooler, and a bit dumber, with his seventh novel. Subtlety got ejected as pure escapism took the wheel, delivered with gusto and without apology.
It’s not Ian Fleming’s best novel, or even a particularly good one. But Goldfinger is closer in spirit to what we think of today as a 007 adventure, an adrenaline-charged thriller with a campy twist. It also became the springboard for the most culturally important of Bond films, unleashing superhuman Korean henchmen, gorgeous lesbian gangsters, and a plot to steal billions of dollars in pure gold from Fort Knox.