Making Waves, On and Off the Air
When
the H. M. S. Repulse was sunk by
Japanese aircraft near Singapore less than a week after the Pearl Harbor
attacks, not everyone was happy American journalist Cecil Brown was one of its
survivors.
The news correspondent for CBS Radio had made plenty of enemies in
Singapore, including its British commander, Lt. Gen. Arthur Percival. The officer
in charge of Percival’s press office made himself conspicuous by his cold
silence when Brown reported back to duty.
Less
than a month after his near-death experience, Brown was off the air, shut up by
military order. It marked the end of a long period of mutual frustration. For
the correspondent, there had been hours of debate arguing cuts made to his copy
by British military censors. For the British command, there were too many cuts endured
from this nettlesome nabob of negativity.
“The
cumulative effect of the material submitted for censorship by Mr. Brown for the
past few weeks showed a state of mind which makes him persona non grata,” was
how it was explained to the rest of the media.
Published
in late 1942 when the war was still undecided, Suez To Singapore presents an anxious narrative voice. Not certain
how the chips will fall, Brown is often strident in his criticisms of military
decision-makers.
“I
am against blunderers,” he explains. “Men learn by mistakes; but if they do not
learn, then the mistake is doubly, horribly tragic.”
Brown
argues here for the freedom to criticize. As a passionate foe of fascism, he sees
his candor providing an honest rationale for the fortitude and sacrifice needed
to win.
He
makes his case up front in an introduction:
We Americans, we
of the United Nations, have the courage to die. We have the courage, too, to
hear a reasonable report of this war in which we fight and die, and to know
that we go to death with the high heart and firm spirit of men and women who
die for a better world…
I report in this
book, with the greatest objectivity there is in me, the deeds of the men who
are fighting and guiding this war, as I found them before, during and after
battle. I fought, as best I could, to report the war to the American people. A
reporter has no higher duty than to provide his nation with an honest, accurate
account of the sector of the war in which he finds himself.
Born
in 1907, Cecil Brown was a former seaman who had gone to Europe in the late
1930s to ply a trade as a freelance journalist. By 1940 he was CBS News’ man in
Rome, one of the “Murrow Boys” as the young reporters gathered together by
Edward R. Murrow were called, pioneer celebrity journalists for the radio age.
While
in Rome, Brown became a strong critic of Italy’s dictator, Benito Mussolini, a
stance which got him kicked out of that country in early 1941. The book opens with Brown
leaving Europe, en route to his next assignment, the war in North Africa
between Great Britain and the Axis powers of Germany and Italy.
Disappointingly,
little of this assignment makes the completed book. Brown never gets close enough
to the war there for his satisfaction. Worse, he finds himself annoyed by the
compromised nature of his reports, which are frequently “blue-lined” [i. e. censored] by
military adjuncts:
All I’m doing up
here is getting sand in my teeth. Besides, if its good they’ll censor it. They
always do.
Initially
Brown thinks he might be sent to Moscow, after the sudden German attack on the
Soviet Union in June, 1941 opened a new front in the war. But the order
eventually comes in from CBS News boss Paul White to go around the world and
report for duty in Singapore.
It
was like bringing a moth to a flame. A longstanding British colony with control
of vitally desired rubber and fuel resources in surrounding Malaysia, Singapore
was awaiting possible attack from Japan – more than a trifle too casually by
Brown’s standards.
General
Percival is more interested in making sure he is front-and-center in any news
stories than sharing a realistic assessment of the Japanese. “Loaded with
optimism,” Percival strikes much too rosy a note for Brown’s liking. He notes the nickname for a holding area being prepared for Japanese prisoners: “Camp So
Sorry.” A blatant disregard for Asians, particularly those residing in the
British colony, clouds everything.
The
more he sees, the less Brown likes:
European women
here live in the greatest ease. Most of them have four or five servants and
have practically no work to do themselves. They spend most of their time, not
with their children – an amah takes care of them – but gossiping, playing
bridge, ruining someone else’s reputation, or eyeing other men. Almost everyone
I talked to in Singapore volunteered the statement: “The thing here is to be
unfaithful.”
The more Brown reports in this vein, for CBS Radio as well as Newsweek and Life magazines, the less the British leadership likes him.
You get the feeling Brown was a hard guy to be around. He has a lot of opinions about the war on Fascism, and isn’t shy about sharing them even when his own country was still on the sidelines. A couple of times, he comes off in his own account as a liberal variant of the time-honored Ugly American, lecturing people about lacking the necessary ruthlessness to win.
Excerpts from Brown’s newscasts carry an unmistakably pungent air. They were short, and censors always had final say, but Brown pushed back with the argument he wasn’t giving up any secrets, just reporting on conditions as he saw them. As related in Suez To Singapore, he did this often, and with considerable heat:
I am convinced censorship here is one of abnormal fear. It isn’t fear of giving information to the enemy or menacing security or even creating alarm and despondency, but of giving a wrong chamber-of-commerce impression.
They seem to think that perhaps some tourists might not come to Singapore if the wrong kind of stories get out.
For the British, Brown’s presence served a specific purpose. They wanted Americans to know about the war they were fighting, and to help out. Brown, anti-fascist as he was, was pushing that message; the problem was Brown’s tone. “Of course we want the American fleet out here, and you know we do, so why don’t you say it,” Percival asks Brown at one point. In the United Kingdom, the general adds pointedly, they leave the editorials to editors.
Brown’s criticisms would be justified by Singapore’s failure to do much of anything once the Japanese did attack. Percival famously declined to have interior defenses built, believing any attack would come by sea and that fortifications were bad for morale. Even if the Japanese managed somehow to get through the Malaysian jungle, they were no match for British soldiers.
Brown’s criticisms would be justified by Singapore’s failure to do much of anything once the Japanese did attack. Percival famously declined to have interior defenses built, believing any attack would come by sea and that fortifications were bad for morale. Even if the Japanese managed somehow to get through the Malaysian jungle, they were no match for British soldiers.
By
the time Percival surrendered, Brown was long gone. The sinking of the Repulse and the Prince Of
Wales on December 10 seemed to strip any remaining illusions regarding
the efficacy of the British military.
Brown’s
account of the Repulse sinking is a
book highlight. He relates every heartbreaking detail of the cruise around
Malaysia, the grand notions of catching a Japanese convoy attempting a landing,
the friendly sailors who spoke with pride of doing their part, and the puzzling
failure of British aircraft to provide support.
The
attack itself came in waves, and was over relatively quickly. As with Pearl
Harbor, a surface fleet was defeated and destroyed entirely by air. Brown found
himself floating in the Pacific, swimming with his right hand while his left
clutched his wedding ring:
That ring helps
save my life. Something like it must have helped save the lives of hundreds of
men. Your mind fastens itself on silly, unimportant matters, absorbing your
thoughts and stifling the natural instinct of man to panic in the face of
death.
Less
than a month later, the British succeeded where the Japanese didn’t by taking
Brown off the air. You get the feeling he never recovered.
Sure,
his negative tone looked a lot better in light of Percival’s subsequent humiliation. But Brown would
be dogged by his blackballing and its repercussions. In his next stop, Java, Dutch authorities opted
to honor their ally’s persona non grata ruling. Finally back on the air in
Australia, Brown laid
into his narrative of British ineptitude enough that it earned him a telegraphed
reprimand from Paul White:
SOMEWHAT AFRAID
YOU UNWITTINGLY TAKING CRUSADING ATTITUDE YOUR BROADCASTS. CERTAINLY HAVE NO
INTENTION GLOSS OVER INEFFICIENCY DISPLAYED BY ANY ALLY BUT FEEL IN VIEW
SINGAPORE BAN GENERAL PUBLIC WILL FEEL YOU ARE PAYING OFF OLD DEBTS. THUS
PLEASE EXERCISE CAUTION…
Suez To Singapore suggests Brown
would do no such thing. Indeed, a year after its publication, Brown would part
ways with CBS News for good after White objected to “editorializing” of the
kind Brown so freely does here. He went on to work for rival networks: Mutual Broadcasting, NBC, and ABC. According to Wikipedia, he retired from broadcasting in 1967. When he died in 1987, at age 80, he was working as a professor of communication arts at the California State Polytechnic University in Pamona.
You come away with the feeling that as a reporter with a cause, Brown was in many ways a man ahead of his time.
You come away with the feeling that as a reporter with a cause, Brown was in many ways a man ahead of his time.
Mass
media and warfare have never made easy bedfellows; Suez To Singapore shows how problematic the relationship can be
even when the media person is completely on board with the war effort. Brown’s
problem may have been an excess of enthusiasm; dunning officers and civilians alike about their failure to grasp the
severity of the situation.
He
was proven right in Singapore, of course, but in making his case proves himself a bit of a pill. Suez To Singapore is tinny that way,
but at the same time illustrative. Where do you draw the line, between getting
along with the subjects you write about and obeying your duty to report on
them accurately and dispassionately? If there’s an answer in Suez To Singapore, it’s not one Brown himself can explicitly offer, but his book demonstrates why the question matters.
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