In his acknowledgements for Boys Will Be
Boys, author Jeff Pearlman thanks a number of people for their cooperation,
including 146 current or former members of the Dallas Cowboys organization. He then
thanks others, including his young son, whom I suspect was a toddler at the time.
At the end of his mention of the young lad came a word that caught me short at
first, before realizing it summed up the entire spirit of the book. The word is
“fish!”
Mamas
don’t let your babies grow up to be Cowboys, and Daddies should pay that some
mind, too. Not if those Cowboys are like the crowd featured in Boys Will Be Boys.
In the early 1990s,
the Dallas Cowboys rose from the ashes of a 1-15 season to win three Super
Bowls and stake a claim as one of the most dominating teams of all time. But
they were also a locker room of drug addicts, sex maniacs, and dangerous
psychotics.
Bringing
them together was Jerry Jones, a former fullback at the University of Arkansas
who made a fortune as an oil-and-gas wildcatter. As he had always hankered to
own a pro football team, he seized the opportunity in 1989 to buy the Cowboys.
It meant firing their legendary coach, Tom Landry, a condition of the sale as
set by departing owner H. R. “Bum” Bright. But the Cowboys had become a losing
franchise under Landry, and Jones was game. He had just the guy to take his
place in an old Arkansas Razorback teammate, Jimmy Johnson.
Thus
began what might be termed the NFL’s own version of “The Odd Couple.”
“Johnson
found Jones to be an arrogant braggadocio,” Pearlman writes. “Jones considered
Johnson aloof and dismissive. ‘We haven’t done half a dozen things socially
since we’ve known each other,’ Johnson once said. There was a ‘like’ between
the two. Just not strong like.”
As
couples go, Jones and Johnson were destined to achieve the kind of success that
would inspire awe yet eventually shatter their union, not to mention the team
they built around them.
And
what a team! Most of Pearlman’s book is devoted to the sleazy antics and
occasional felonies committed by the Cowboys during their 1990-95 heyday.
People who like their sports books outfitted with statistical tables detailing
individual and collective performance year-by-year will be disappointed; the
scorekeeping here is more about who was snorting lines and having sex with
strippers.
At
the head of the class is Charles Haley, a defensive lineman who Pearlman
describes as one of the most talented pass rushers of his day, and probably the
most mentally unstable. How unstable? It’s hard to know who may be reading this
someday, so let’s just say his antics are the kind that keep pornographers in
business.
Haley
also was highly confrontational. He ran out his welcome with the San Francisco
49ers by swinging at the coach, calling out his quarterback’s manhood, and
topping it all by cutting a hole in the roof of a teammate’s BMW and then urinating
on the steering wheel.
“There
are some things you just don’t do,” an ex-teammate tells Pearlman. “And that
tops the list.”
Michael
Irvin is the star who gets the most attention in Boys Will Be Boys. Pearlman paints him as a chronic philanderer and
drug user who at the same time possessed a fierce work ethic which allowed him
to be one of the most serious threats in the Cowboys’ offense. Irvin set an
example for his team, which as Pearlman puts it, helped instill the confidence
to achieve their dreams but also made them believe they had a license to
misbehave.
Michael Irvin could outrun defenders with ease. His own demons proved harder to elude. [Image from www.nfl.com] |
Pearlman describes Irvin standing nude before a group of rookies and exclaiming: "This is the body you will aspire to have. You will not achieve it, but this is what you will strive to achieve." Irvin made this sort of thing easier to accept by taking other players out to strip clubs and hooking them up with women of amazing physical attractiveness.
The antics chronicled in Boys Will Be Boys are lurid and excessive. It’s clear Pearlman has a target market in mind, that being the same people who see Hangover movies and play a lot of “Grand Theft Auto.” A lot of times, usually when I stopped laughing, I wondered how Pearlman avoided a monster lawsuit, or a visit from Charles Haley. The idea hit me with thunderclap clarity: It must all be true.
The antics chronicled in Boys Will Be Boys are lurid and excessive. It’s clear Pearlman has a target market in mind, that being the same people who see Hangover movies and play a lot of “Grand Theft Auto.” A lot of times, usually when I stopped laughing, I wondered how Pearlman avoided a monster lawsuit, or a visit from Charles Haley. The idea hit me with thunderclap clarity: It must all be true.
Allowing
for some hyperbole, of course. Pearlman is one who likes to dish that out a
lot. He digs his graves deep for people of questionable usefulness that show up
in his narrative. David Shula, the Cowboys’ offensive coordinator early in
their breakout, “was well suited to tutor Division I-AA tight ends or, better
yet, sell insurance or manage a steak house.”
Pearlman
may take his cues from Coach Johnson, who emerges as Boys Will Be Boys’
nastiest character. Pearlman relates the legend of how Johnson at one of his
first practices cut a kicker for having asthma. He cut a backup running back
for fumbling in the postseason, even though it left the Cowboys a man short for the next game.
After taking a jog one day, Johnson even cut his wife. She didn’t fit into his
plans for becoming a successful NFL coach.
At
times, Pearlman’s wisecracking style gets annoying. He reminds me too often of
my least-favorite sportswriter, Rick Reilly, for the way he pushes his
commentary in the direction of one-liners. Two Cowboys who didn’t talk to
Pearlman, quarterback Troy Aikman and running back Emmitt Smith, are sorely
missed. One wishes at times for some play-by-play commentary from Pearlman, and perhaps a deeper sense
of what made the Cowboys so special other than the wild personalities they brought together. But Pearlman is more interested in the
lurid parts. Most of the way through Boys
Will Be Boys, so are you.
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