Death Before Victory
War is hell, a fact even honest combat histories often sidestep. Not to deny its ugliness, but rather to craft a narrative palatable to a broader audience. Bitter reality is acknowledged, but details not dwelt upon.
Glory Road is different. It is the Saving Private Ryan of American Civil War histories, a blow-by-blow account of the terrors of war not for the squeamish. In his depiction of the Battle of Gettysburg, the war’s turning point, Bruce Catton describes a Bosch-like canvas where eyes are shot out, maddened horses gallop on three legs, and men duck bullets behind the bodies of dead comrades.
One soldier is so horribly maimed that he is described putting a gun to his head and blowing out his brains. Meanwhile, others are directed to throw themselves into an exposed position, just to buy a few precious minutes after one general had put his part of the line too far out.